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Destroying net neutrality will hurt artists and small businesses the most

“How hasn’t [an open internet] benefited me would be a more fitting question,” Martin Smith, a DJ and digital marketer told me. “Without an open internet, the music industry wouldn’t be where it is today.”

Smith runs the digital marketing firm Overflow, whose client list includes Coca Cola, T-Mobile and Universal Music Group. He realizes that many of the marketing tools he uses began life as dorm room projects that were then uploaded to the internet — like Facebook and Twitter. “If the major media behemoths of the time could have paid the right people to restrict those platforms from getting where they are, they surely would have.”

2016 Voodoo Music + Arts Experience - Day 1

Mayer Hawthorne

For Andrew “Mayer Hawthorne” Cohen, it’s clear: “I wouldn’t have a career without net neutrality,” he said. “Reversing net neutrality gives already dominant mega-corporations like Apple, Ticketmaster, Live Nation, Clear Channel even more power to snuff out the little guy.”

Cohen is from Ann Arbor, Michigan a city known for being a college town with a gigantic football stadium — not launching recording careers. Had it not been for Soundcloud and Twitter, the chances of him making a living as a musician were slim. In 2005, Hawthorne moved to Los Angeles and started recording for legendary hip-hop label Stones Throw Records. “Those start-ups introduced my independent music to new listeners around the world and circumvented the keymasters/traditional modes of discovery like terrestrial radio.”

Frustrated by a lack of attention for heavy metal in Michigan, Jen Lorenski launched MoshPitNation, an online network that connects Michigan metalheads with the music they love. Lorenski also works as a digital marketer and is one of the driving forces behind TaxFormGals, a women-owned small business that, as the name suggests, supplies other small businesses with necessary tax forms, among other services. “The openness of the internet has been crucial for small businesses like mine,” she said. “If the costs of being online become too steep, I could see a point where other small businesses scale back their investment” and cause her to lose money.

For Rob Sheridan, an open internet launched a career he never thought possible. But before he served as Nine Inch Nails’ art director, he was “tragically, indirectly” responsible for what could be the internet’s first meme: the dancing baby. You know, the creepy CGI infant that busted a groove across the screen on Ally McBeal. Sheridan discovered the image file back when he was scouring bulletin boards and Usenet groups as a teenager.

“I just found this file of a CGI baby dancing to music, and it had no context,” he recalled. “It was just creepy as fuck.” After putting it on his personal homepage, he’d started getting a lot of messages about it. So, he gave the animation its own website on a server owned by his locally owned dial-up ISP in Seattle. The rest is history. “Before I know it, I’m getting contacted by USA Today to interview me about it because the baby had just been on Ally McBeal,” he said. “It’s kind of my fault.”